Bardney, Lincolnshire
Signed watercolour and gouache.
Graham chooses a typically awkward composition; the viewrer having to peer through undergrowth and over hummocks described with energetic penwork to glimpse Tupholme Abbey in the far distance.
Graham believes that each outdoor painting is in some way a record of his time in that place, of the light, and of his frustrations, pleasures and struggles in responding to what was in front of him. Against the Grain Goldmark 2015.
Graham chooses a typically awkward composition; the viewrer having to peer through undergrowth and over hummocks described with energetic penwork to glimpse Tupholme Abbey in the far distance.
Graham believes that each outdoor painting is in some way a record of his time in that place, of the light, and of his frustrations, pleasures and struggles in responding to what was in front of him. Against the Grain Goldmark 2015.
$924.16
Original: $2,640.46
-65%Bardney, Lincolnshire—
$2,640.46
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Description
Signed watercolour and gouache.
Graham chooses a typically awkward composition; the viewrer having to peer through undergrowth and over hummocks described with energetic penwork to glimpse Tupholme Abbey in the far distance.
Graham believes that each outdoor painting is in some way a record of his time in that place, of the light, and of his frustrations, pleasures and struggles in responding to what was in front of him. Against the Grain Goldmark 2015.
Graham chooses a typically awkward composition; the viewrer having to peer through undergrowth and over hummocks described with energetic penwork to glimpse Tupholme Abbey in the far distance.
Graham believes that each outdoor painting is in some way a record of his time in that place, of the light, and of his frustrations, pleasures and struggles in responding to what was in front of him. Against the Grain Goldmark 2015.
