Despacha, Que Dispiertan
Be quick, they are waking up
The goblins are the most industrious and obliging people there are. As the maid keeps them happy, they scour the pot, cook the vegetables, wash up, sweep and hush the child. It has often been disputed whether they are devils or not; don’t let us deceive ourselves. Devils are those who spend their time doing harm, or hindering others from doing good, or doing nothing at all.
Etching with aquatint from Goya's most recogniseable suite Los Caprichos.
These etchings were published between 1881-1886 in an edition of 210 by the Calcografia for the Real Academia and are from the fifth edition.
The suite was first published in 1799 and Goya is thought to have sold only 27 copies before withdrawing it from circulation due to the Inquisition. Most of the remaining copies of the edition were alter purchased by King Charles IV of Spain. The work was an enlightened, tour-de-force critique of 18th century Spain, and humanity in general. The informal style as well as the depiction of contemporary society found in the Caprichos, makes them and Goya himself, a precursor to the modernist movement almost a century later.
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Be quick, they are waking up
The goblins are the most industrious and obliging people there are. As the maid keeps them happy, they scour the pot, cook the vegetables, wash up, sweep and hush the child. It has often been disputed whether they are devils or not; don’t let us deceive ourselves. Devils are those who spend their time doing harm, or hindering others from doing good, or doing nothing at all.
Etching with aquatint from Goya's most recogniseable suite Los Caprichos.
These etchings were published between 1881-1886 in an edition of 210 by the Calcografia for the Real Academia and are from the fifth edition.
The suite was first published in 1799 and Goya is thought to have sold only 27 copies before withdrawing it from circulation due to the Inquisition. Most of the remaining copies of the edition were alter purchased by King Charles IV of Spain. The work was an enlightened, tour-de-force critique of 18th century Spain, and humanity in general. The informal style as well as the depiction of contemporary society found in the Caprichos, makes them and Goya himself, a precursor to the modernist movement almost a century later.
