Was this Metal Monster Master or Slave
Original screenprint.
From Paolozzi's sought after Bunk suite.
Printed in an edition of 100.
Published by Snail Chemicals 1972.
Each piece for the Bunk series were hand-torn, creased, and adhered to boards in various colours, making each set a little unique.
The piece will come with a copy of the signed and numbered justification page, which is dedicated 'for Ken'.
Long before it was published as a series of silk-screen prints Bunk had played a leading role in the post-war history of British art. For the collages from which these prints were made were some of the many images Eduardo Paolozzi showed at the first meeting of the Independent Group at the ICA in 1952.
Bunk occupies a crucial position in Paolozzi's own development. It is the strongest link between his past and present.
Frank Whitford 1972
Original: $1,365.52
-65%$1,365.52
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Description
Original screenprint.
From Paolozzi's sought after Bunk suite.
Printed in an edition of 100.
Published by Snail Chemicals 1972.
Each piece for the Bunk series were hand-torn, creased, and adhered to boards in various colours, making each set a little unique.
The piece will come with a copy of the signed and numbered justification page, which is dedicated 'for Ken'.
Long before it was published as a series of silk-screen prints Bunk had played a leading role in the post-war history of British art. For the collages from which these prints were made were some of the many images Eduardo Paolozzi showed at the first meeting of the Independent Group at the ICA in 1952.
Bunk occupies a crucial position in Paolozzi's own development. It is the strongest link between his past and present.
Frank Whitford 1972
