Etching is the Subject
From The Blue Guitar suite.
Signed etching with aquatint from the main edition of 200.
This suite of etchings was inspired by a poem by Wallace Stevens, who had drawn inspiration from Picasso's painting The Old Guitarist.
Printed in London and New York at the Petersburg Studios.
Published by Petersburg Press as both a print portfolio and a book. Hockney created the images to accompany the book-length poem, The Man with the Blue Guitar (1937) by Modernist American poet Wallace Stevens. After an initial series of ink drawings, Hockney progressed into coloured etchings, a technique he learned in Paris working with Aldo Crommelynck, Pablo Picasso's printer. Hockney collaborated with Maurice Payne on this suite.
Signed etching with aquatint from the main edition of 200.
This suite of etchings was inspired by a poem by Wallace Stevens, who had drawn inspiration from Picasso's painting The Old Guitarist.
Printed in London and New York at the Petersburg Studios.
Published by Petersburg Press as both a print portfolio and a book. Hockney created the images to accompany the book-length poem, The Man with the Blue Guitar (1937) by Modernist American poet Wallace Stevens. After an initial series of ink drawings, Hockney progressed into coloured etchings, a technique he learned in Paris working with Aldo Crommelynck, Pablo Picasso's printer. Hockney collaborated with Maurice Payne on this suite.
$10,921.52
Etching is the Subject—
$10,921.52
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Description
From The Blue Guitar suite.
Signed etching with aquatint from the main edition of 200.
This suite of etchings was inspired by a poem by Wallace Stevens, who had drawn inspiration from Picasso's painting The Old Guitarist.
Printed in London and New York at the Petersburg Studios.
Published by Petersburg Press as both a print portfolio and a book. Hockney created the images to accompany the book-length poem, The Man with the Blue Guitar (1937) by Modernist American poet Wallace Stevens. After an initial series of ink drawings, Hockney progressed into coloured etchings, a technique he learned in Paris working with Aldo Crommelynck, Pablo Picasso's printer. Hockney collaborated with Maurice Payne on this suite.
Signed etching with aquatint from the main edition of 200.
This suite of etchings was inspired by a poem by Wallace Stevens, who had drawn inspiration from Picasso's painting The Old Guitarist.
Printed in London and New York at the Petersburg Studios.
Published by Petersburg Press as both a print portfolio and a book. Hockney created the images to accompany the book-length poem, The Man with the Blue Guitar (1937) by Modernist American poet Wallace Stevens. After an initial series of ink drawings, Hockney progressed into coloured etchings, a technique he learned in Paris working with Aldo Crommelynck, Pablo Picasso's printer. Hockney collaborated with Maurice Payne on this suite.
