Goldmark 15
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It is always in the last minutes of publication – hurriedly pulling together articles and images – that the resonances between pieces reveal themselves. In this, our Winter issue to usher in 2020, there are a strange few: cadavers of very different kinds are at the heart of works by Sidney Nolan and our very own Ian Wilkinson. We find out that C.F. Tunnicliffe and gallery artist John Farrington shared a background as pig and cow-men. And in works by Kuhn and Swoon, both new to our magazine, we have joyful expressions of humanity at its most caring. Enjoy these, and our welcome back to Svend Bayer ahead of his March 2020 show, in this latest offering.
It is always in the last minutes of publication – hurriedly pulling together articles and images – that the resonances between pieces reveal themselves. In this, our Winter issue to usher in 2020, there are a strange few: cadavers of very different kinds are at the heart of works by Sidney Nolan and our very own Ian Wilkinson. We find out that C.F. Tunnicliffe and gallery artist John Farrington shared a background as pig and cow-men. And in works by Kuhn and Swoon, both new to our magazine, we have joyful expressions of humanity at its most caring. Enjoy these, and our welcome back to Svend Bayer ahead of his March 2020 show, in this latest offering.
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Subscribe to the Goldmark Magazine and get 4 issues for the price of 3 >
It is always in the last minutes of publication – hurriedly pulling together articles and images – that the resonances between pieces reveal themselves. In this, our Winter issue to usher in 2020, there are a strange few: cadavers of very different kinds are at the heart of works by Sidney Nolan and our very own Ian Wilkinson. We find out that C.F. Tunnicliffe and gallery artist John Farrington shared a background as pig and cow-men. And in works by Kuhn and Swoon, both new to our magazine, we have joyful expressions of humanity at its most caring. Enjoy these, and our welcome back to Svend Bayer ahead of his March 2020 show, in this latest offering.
It is always in the last minutes of publication – hurriedly pulling together articles and images – that the resonances between pieces reveal themselves. In this, our Winter issue to usher in 2020, there are a strange few: cadavers of very different kinds are at the heart of works by Sidney Nolan and our very own Ian Wilkinson. We find out that C.F. Tunnicliffe and gallery artist John Farrington shared a background as pig and cow-men. And in works by Kuhn and Swoon, both new to our magazine, we have joyful expressions of humanity at its most caring. Enjoy these, and our welcome back to Svend Bayer ahead of his March 2020 show, in this latest offering.
