Landscape Through Trees
Signed and signed in the plate etching.
From the edition of 70.
The start of the edition was numbered out of 75, then changed after a few pulls to 70 with 5 artist's proofs.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
From the edition of 70.
The start of the edition was numbered out of 75, then changed after a few pulls to 70 with 5 artist's proofs.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
$1,242.63
Original: $3,550.36
-65%Landscape Through Trees—
$3,550.36
$1,242.63Product Information
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Description
Signed and signed in the plate etching.
From the edition of 70.
The start of the edition was numbered out of 75, then changed after a few pulls to 70 with 5 artist's proofs.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
From the edition of 70.
The start of the edition was numbered out of 75, then changed after a few pulls to 70 with 5 artist's proofs.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
