Man Holds the Key
Original screenprint on Kendal Cover.
From the Special Edition, this is the only complete signed edition, number one of fifty.
Published by Snail Chemicals 1972.
Long before it was published as a series of silk-screen prints Bunk had played a leading role in the post-war history of British art. For the collages from which these prints were made were some of the many images Eduardo Paolozzi showed at the first meeting of the Independent Group at the ICA in 1952.
Bunk occupies a crucial position in Paolozzi's own development. It is the strongest link between his past and present.
Frank Whitford 1972.
From the Special Edition, this is the only complete signed edition, number one of fifty.
Published by Snail Chemicals 1972.
Long before it was published as a series of silk-screen prints Bunk had played a leading role in the post-war history of British art. For the collages from which these prints were made were some of the many images Eduardo Paolozzi showed at the first meeting of the Independent Group at the ICA in 1952.
Bunk occupies a crucial position in Paolozzi's own development. It is the strongest link between his past and present.
Frank Whitford 1972.
$1,114.87
Original: $3,185.33
-65%Man Holds the Key—
$3,185.33
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Description
Original screenprint on Kendal Cover.
From the Special Edition, this is the only complete signed edition, number one of fifty.
Published by Snail Chemicals 1972.
Long before it was published as a series of silk-screen prints Bunk had played a leading role in the post-war history of British art. For the collages from which these prints were made were some of the many images Eduardo Paolozzi showed at the first meeting of the Independent Group at the ICA in 1952.
Bunk occupies a crucial position in Paolozzi's own development. It is the strongest link between his past and present.
Frank Whitford 1972.
From the Special Edition, this is the only complete signed edition, number one of fifty.
Published by Snail Chemicals 1972.
Long before it was published as a series of silk-screen prints Bunk had played a leading role in the post-war history of British art. For the collages from which these prints were made were some of the many images Eduardo Paolozzi showed at the first meeting of the Independent Group at the ICA in 1952.
Bunk occupies a crucial position in Paolozzi's own development. It is the strongest link between his past and present.
Frank Whitford 1972.
