Stratford East, Office Girls No. 1
Signed and signed in the plate engraving.
In it's third and final state, the original plate has been cut into two and printed along side each other.
From the edition of 75, which was discontinued part way through printing.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
In it's third and final state, the original plate has been cut into two and printed along side each other.
From the edition of 75, which was discontinued part way through printing.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
$796.40
Original: $2,275.43
-65%Stratford East, Office Girls No. 1—
$2,275.43
$796.40Product Information
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Description
Signed and signed in the plate engraving.
In it's third and final state, the original plate has been cut into two and printed along side each other.
From the edition of 75, which was discontinued part way through printing.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
In it's third and final state, the original plate has been cut into two and printed along side each other.
From the edition of 75, which was discontinued part way through printing.
‘I can do no more than salute the massive edifice of the accomplished work in etching and engraving. For here is a world spread before us, with innumerable landscapes, townscapes, buildings, people, through which we can move and share the artist’s unique perceptions.’ Michael Rothenstein, in the foreword to The Prints of Anthony Gross, Herdman, 1991.
